Category: 21st century relational practice

Paying Attention: How to Endure Spending Time in an Art Museum

[I wrote this in 2015 for a group of college students. But the need to wrangle attention runs through all of life: museum-going is just another instance of practice in daily life.]

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Improv, Dress Up, and Deity Yoga: Playing With Identity

I got interested in improv when I saw a connection between it and certain forms of meditation that work to deconstruct the sense of a solid and permanent self—particularly, deity yoga. Continue reading

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Improvisation As a Spiritual Practice

I have been doing some improv this fall—as a spiritual practice. Standard principles of improv include: stay in the present moment, listen carefully, do not get tangled up in your ego, keep letting go of your idea from a second … Continue reading

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Reading the Suttas with Dharma Contemplation

On five Tuesdays in April and May (2013) I led Dharma Contemplation for a group of seven meditators, reading passages from the Pali suttas. Continue reading

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Dharma Contemplation for Interfaith Dialogue

My friend Liz and I led a series of interfaith dialogues this spring, using the protocol of Greg Kramer’s Dharma Contemplation and reading texts from a variety of world religions. Continue reading

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Play As a Root of Sati (Mindfulness)

Suppose for a moment that play were a root from which mindfulness develops—its immediate precursor, or most archaic form—and that root shared by accomplished meditators, children, and animals.

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Meditating at the Edge of Reactivity

I have been remembering my first encounter with Insight Dialogue and thinking about how my understanding of that practice has grown and shifted over the years.

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Experiment Using Dharma Contemplation: First Series

Eight participants (including myself) met in my small apartment on six Tuesday evenings in September and October (2012) for an experiment in Dharma Contemplation.

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Experiment Using Dharma Contemplation: Planning

I’ve begun an experiment: facilitating group dialogic meditation using a text—using Greg Kramer’s Dharma Contemplation method—and doing so primarily as a way of conveying certain meditative skills.

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